Cult sci-fi hit “Pitch Black” is getting a new special edition with Arrow’s first ever 4K release
Talk about this release on Slack
After a few years of bringing us awesome looking Blu-ray releases using pristine 4K restorations, Arrow are finally bringing us an actual 4K disc release, with the Vin Diesel’s hit Pitch Black. Please note – this appears to be 4K only – no Blu-ray disc is included. There will be a separate Blu-ray edition.
The film is due for release on August 17th, and comes loaded with extra features. Pre-orders are live right now, and we’ll add more links as we get them.
Pre-order:
THERE’S A NEW REASON TO BE AFRAID OF THE DARK.
A sci-fi/horror sleeper hit that birthed a franchise and launched the career of a new action movie icon, Pitch Black holds its own today as a nerve-shredding creature-feature in which the monsters outside finally meet their match against a monster within.
When an intergalactic transport ship crashes on a remote desert planet with no sign of help on the horizon, the survivors, led by Fry (Radha Mitchell), band together to find a way back home. Among the passengers is Riddick (Vin Diesel), a convicted murderer being transported by marshal Johns (Cole Hauser) – and now freed of his chains and on the loose. But as a solar eclipse plunges the planet into total darkness, a threat even worse than Riddick reveals itself, and the last humans standing may have to form an uneasy truce with the cunning fugitive (whose eyes have been surgically altered to see in the dark) to last the long night.
Boasting crackerjack direction and a whip-smart script by David Twohy, as well as a star-making performance by Diesel, Riddick’s first outing is freshly unleashed in an illuminating, brand new 4K restoration, with hours of exclusive bonus content.
ULTRA HD 4K BLU-RAY SPECIAL EDITION CONTENTS
- Brand new 4K restoration by Arrow Films of the Theatrical and Director’s Cuts of the film, approved by director David Twohy
- 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible)
- Original DTS-HD MA 5.1 surround on both cuts
- Optional English subtitles for the deaf and hard of hearing on both cuts
- Archive commentary with director David Twohy and stars Vin Diesel and Cole Hauser
- Archive commentary with director David Twohy, producer Tom Engelman and visual effects supervisor Peter Chiang
- Nightfall: The Making of Pitch Black, a newly filmed interview with director/co-writer David Twohy
- Black Box: Jackie’s Journey, a newly filmed interview with actor Rhiana Griffith
- Black Box: Shazza’s Last Stand, a newly filmed interview with actor Claudia Black
- Black Box: Bleach Bypassed, a newly filmed interview with cinematographer David Eggby
- Black Box: Cryo-Locked, a newly filmed interview with visual effects supervisor Peter Chiang
- Black Box: Primal Sounds, a newly filmed interview with composer Graeme Revell
- The Making of Pitch Black, a short behind-the-scenes featurette
- Pitch Black Raw, a comparison between early CG tests and the final footage
- Additional behind-the-scenes footage from the making of the film
- 2004 archive bonus features, including an introduction by Twohy, A View Into The Dark, and Chronicles of Riddick Visual Encyclopedia
- Johns’ Chase Log, a short prequel narrated by Cole Hauser detailing the character’s hunt for Riddick
- The Chronicles of Riddick: Dark Fury (in 16:9 widescreen with DTS-HD MA 5.1 audio), an animated short film directed by Peter Chung that acts as a bridgepoint between Pitch Black and The Chronicles of Riddick, featuring vocal performances by Vin Diesel, Keith David and Rhiana Griffith reprising their roles
- Dark Fury bonus features including Bridging The Gap, Peter Chung: The Mind of an Animator, A View Into The Light, and a “pre-animation” version of the film
Slam City, a motion comic from the film’s official website- Into Pitch Black, a TV special offering an alternative non-canon glimpse into what happened before and after the events of the film
- Raveworld: Pitch Black Event, footage of a dance music event held to promote the film
- Theatrical trailers, plus trailers for the two sequels and video game
- Image galleries
- Reversible sleeve featuring newly commissioned “”night”” and “”day”” artwork by Luke Preece
- FIRST PRESSING ONLY: Collectors’ booklet featuring new writing by Simon Ward on the film’s creature designs (including a new interview with creature designer Patrick Tatopolous), original production notes and information from the film’s official website, and an archive interview with Vin Diesel from Starlog magazine; plus collectable O-card with “”night”” variant artwork by Luke Preece
Extras subject to change.
Wes Pringle
John Kay Not for me bud
Wes Pringle Not a fan?
John Kay Not enough time pay £20 odd mate
Alastair McKenzie
One of my favourites. Not sure I like that artwork though. ?
Good thing I already have a better one. ?
This is going to look great!
Damn. Recently bought the normal steelbook as it was going cheap. Will see what the reviews say about the 4k transfer ?
Not sure how much better this would be than the Blu-Ray I just bought for a tenner.
There’s a lot of 4K releases of older films coming out?
I’m guessing most of these including this release aren’t remastered in 4K?
Gary Crockford I’d say the opposite. Most older films would be shot on actual film, so remastering in actual 4K from the original camera negative is possible. Newer films, that are shot digitally, or have their post-production completed digitally, are actually more likely to be 2K upscales.
Steelbook Blu Ray News If they do remaster in 4K then hopefully they’ll declare it like with the Flash 4K.
Gary Crockford I think the recent 4k release of apocalypse now is the most stunning visual 4k movie I have seen re released. Star wars a new hope looks amazing too
Gary Crockford if you click the link and read the article you’ll see it’s a new, director-supervised 4K restoration
Arrow Video is doing 4K! ?❤️
Great movie. But 4K is overrated and over priced, lets be honest, there isn’t that much difference between 4K and regular HD.
Carl Roberts depending on the transfer there’s a huge difference, and HDR makes a big difference as well. Certainly not overrated